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“In Your Eyes” played during Crowe’s wedding, and while listening to a tape of music from the reception, he realized it was perfect for the scene. That perspective allowed him to give Dobler his moment without betraying the character.ĭuring editing, Crowe decided Fishbone wasn’t working for the moment. Cusack would later recall that it was really Dobler’s “final stand” as Court’s romantic interest.
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With Fishbone's "Turn the Other Way" blaring from the speakers on set, Cusack and Crowe made the shot work for them by agreeing to show a look of defiance, not defeat, on his face. Crowe convinced Cusack to try the scene the way he had originally envisioned it, with Dobler holding the boombox over his head. Daylight was running out and there wasn’t much time left. On the last day of shooting in Los Angeles, Crowe and his crew spotted an empty park. Brooks believed could become a hallmark of the movie, was going to have to be abandoned. The scene, which Crowe and producer James L. It didn’t work: Dobler was now too passive, too disinterested. To placate Cusack, Crowe tried shooting the scene with Dobler idling in the car while the boombox sat on the roof. He felt holding the boombox over his head outside Court’s house was too much groveling-and Dobler, despite his self-awareness, was more of a dogged pursuer than a pathetic one. For the director, who started writing profiles for Rolling Stone at age 15, music seemed like the way to go.īut Dobler’s seeming subservience made Cusack reluctant. (“I gave her my heart and she gave me a pen,” Dobler sighs.) Crowe thought Dobler would want a signal flare of sorts to let Court know he wasn’t giving up hope. That characterization worked for the film right up until it was time to shoot the boombox scene, which follows Court breaking up with Dobler and giving him a pen.
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Instead of a woman looking up at her crush, it was Dobler who was presenting himself as full of doubt that he was good enough. Instead of an idealized male lead, Crowe was more interested in aspiring kickboxer Dobler acknowledging he was a poor social and class fit for Court, who seemed to have a secure future as an intellectual. was Crowe’s irreverent take on the teenage romance genre, a format that had been claimed by John Hughes for much of the 1980s.
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It would be one of many obstacles in committing a seemingly simple scene to movie history. It turns out that Gabriel had called Crowe believing he had something to do with Wired, the biopic about late comedian John Belushi that had also been requesting to use “In Your Eyes.” After Crowe corrected him, Gabriel watched the correct tape and gave the director permission to use the song. Gabriel called Crowe to tell him he didn’t feel the song was a fit because of “the overdose” in the movie.
YOUTUBE SAY ANYTHING BOOMBOX SCENE LICENSE
The writer and first-time director had submitted a cut of his new film, Say Anything., to musician Peter Gabriel in the hopes that Gabriel would be willing to license his song for the now-classic scene where Lloyd Dobler (John Cusack) holds a boombox over his head to signal to love interest Diane Court (Ione Skye) that he wasn’t giving up on their relationship.Ĭrowe knew Gabriel was a hard sell when it came to allowing use of his music, but his reason for not wanting to allow it in the case of Say Anything. Take snapshots of your film recreation moments, and keep it as a reminder of your completed Hollywood bucket list.Cameron Crowe was puzzled. There are some that would be a little difficult to recreate, since you’d be hard pressed to find a yellow brick road and skip along wearing Dorothy’s iconic red slippers and your wife might think you’re crazy if you start hacking away at the bathroom door with an ax while yelling, “Here’s Johnny.” However, there are some iconic film scenes that can be recreated with relative ease and minimal cost.Ĭheck out our list of 10 iconic moments in film that you have to recreate before you die, and grab a camera and hit the road. Hollywood is filled with some moments in film that have become iconic and instantly recognizable. For those that can’t simply jump on a private jet to go on a safari or drive a motorcycle on the Great Wall of China, there is another Hollywood bucket list that features items that are completely accessible to all. While some of the bucket list items are accessible to all (find the joy in your life, help a complete stranger, laugh until you cry, etc…), the rest are outlandishly expensive. The film highlighted Jack Nicholson as the super wealthy, Edward Cole, that had the financial backing that comes with being a hospital-corporation head.
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When the 2007 film, The Bucket List, was released, it got many people thinking about what they would put on their own to-do list before they die.